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Max Reger - Boecklin Suite, Hiller Variations - RCO, Neeme Jarvi (1989) [FLAC] (CHAN 8794)

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Music : Classical : Lossless
    
MAX REGER (1873-1916)
Böcklin Suite • Hiller Variations

 

Gramophone
[3/1990]:
Quote:Both the comparative versions listed above are very good and can still be safely recommended
especially to the real Reger enthusiast, since each contains a comparative rarity as fill-up: Sir Colin Davis's account
of the Hiller Variations (on Orfeo) is coupled with Reger's Eine Ballettsuite Op. 130, Gerd Albrecht's reading (Schwann
Musica Mundi/Koch International) of the Zier Tondichtungen nach Arnold Bocklin with Eine romantische Suite, Op. 125. For
the more general listener, though, Jarvi has a great deal to offer (and if his performances should convert general
listeners into enthusiasts, which seems likely, I don't suppose that Chandos need me to tell them that the two suites
would make a good coupling for Reger's Mozart Variations, so far absent from the domestic CD catalogue).
Jarvi's
orchestra is the finest of the three (not that Albrecht's or especially Davis's are put in the shade by the comparison)
and they probably know this repertory less well than the Bavarians or the Berliners—and I mean that as a
compliment: they play as though delighted by the discoveries they are making. It isn't only their eagerness, though,
that makes the Bocklin Symphonic Poems sound rather fresher and more cogent than they do in Albrecht's hands. A sense of
pacing is one of Jarvi's greatest gifts in late romantic music and it is just what ''The isle of the dead'' (the third
of the four Poems) needs if it is not to sound static, which to a slight degree it does in Albrecht's reading. Even the
meditative and very beautiful ''The Hermit playing the violin'' (the first Poem of the cycle, a strange but impressive
combination of Pfitzner-like nobility and Vaughan Williams in his Tallis Fantasia manner) can respond to a touch of
expressive urgency, Jarvi demonstrates, and in the two quicker movements of the set (''Play of the waves'' and
''Bacchanal''; the latter is the odd man out of the four—rather a dull piece) he finds more crispness and a wider
palette of colour than Albrecht does. The Chandos recording, too, is wider in dynamic range and cleaner in heavier
passages than the Schwann.
In the Hiller Variations Davis seems to me to have an occasional slight edge over Jarvi:
a bit more charm to the ravishingly scored second variation, a lighter touch in the heavy-featured minuet of the sixth.
But in the all-important business of clarifying the rich detail and formidable ingenuity of Reger's polychrome
counterpoint Jarvi puts not a foot wrong, and the cumulative power of the work (pacing again) is most satisfying. Again,
the recording balances dean detail with sumptuousness and (no minor point in a work of such colossal dimensions) Chandos
provide cueing bands for each variation; Orfeo, whose recording is otherwise very fine, supply none.
Strongly
recommended, especially to those who think they don't like Reger; how could anyone not like ''The Hermit playing the
violin'', or not respond to the Variations' breathtaking encyclopedia of orchestral resource? --Michael Oliver

Vier Tondichtungen nach A. Böcklin, Op.128
Four Tone Poems after A. Böcklin [25:19]
01. I. Der
geigende Eremit: Molto sostenuto
02. II. Im Spiel der Wellen: Vivace
03. III. Die Toteninsel: Molto
sostenuto
04. IV. Bacchanal: Vivace
Variationen und Fuge über ein lustiges Thema von Johann Adam Hiller,
Op.100 
Variations and Fugue on a theme of Johann Adam Hiller [41:28]
05. Theme (Andante grazioso)
06. I. Più Andante
07. II. Allegretto con grazia
08. III. Vivace
09. IV. Poco vivace
10. V.
Andante sostenuto
11. VI. Tempo di Minuetto
12. VII. Presto
13. VIII. Andante con moto
14. IX.
Allegro con spirito
15. X. Allegro appassionato
16. XI. Andante con moto
17. Fugue (Allegro moderato)

Jaap van Zweden, solo violin
Royal Concertgebouw Orchestra
Neeme Järvi

Recorded
in the Concertgebouw Hall, Amsterdam on 6 & 7 July 1989
Recording Producer: Brian Couzens
Sound Engineer:
Ralph Couzens
Assistant Engineer: Ben Connellan
Editor: Richard Lee
© 1989 Chandos Records Ltd.
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